#98
Song: Bah~aar Aayi``, Khili Kaliyaa~n, Hanse Taa~re
Chale~~~ Aavo, Hame Jeene Nahi Dete, Ye Nazza~re,
Chale Aavo ...
Film: Alif Laila (1953)
Music: Pt. Shyamsundar
Lyrics: Sahir Ludhianvi
Singer: Lata Mangeshkar
*ing: ?
This one is a song, where you find as if several musical
instruments are playing by itself when Lata sings! Stunning
number, really. All credits to Pt. Shyam Sundar too, for setting
this very good - equally difficult -- tune. When Lata sings,
orchestra doesn't go with her. It's only when she pauses, it
comes front with a seemingly huge band of violin leading the way.
Shehnaayi is also used very well. For example a piece after
'Kahin Aisa Na Ho Dil Ki Lago Dil Hi Ko Le Dube~~~' is beautiful.
Lata shows amazing abilities with voice modulations.
This entire soundtrack is a treasure. I know total six songs. All
are rich.
First let's talk about a song that is a case of inspiration from
one's earlier composition! Following Rafi-Lata duet:
Kya Raat Suhaani Hai, Aaj Zamaa~~ne Ki Har Shai Pe
Jawaani Hai (Rafi)
Anmol Nishaani Hai.....
(Lata)
is an extension of 'Saajan Ki Galiyan Chhod Chale'.
There is one more Rafi-Lata duet: Khamosh Kyon Ho Taaron, Ummid
Ke Sahaaron A very good one indeed. Rafi lover should always like
it.
Finally let's talk about two Talat solos. First one is again an
inspiration; but this time for a change, from another talented
composer of yesteryears: Gyaan Dutt.
Mere Nagmo Me Un Mastana Nazaron Ki Kahaani Hai
Muhobat Hi Muhobat Hai, Jawaani Hi Jawaani Hai
Reminds you a fabulous Mukesh solo from Sunehare Din (1949):
Bahaaron Ne Jise Chheda Hai, Wo Saaz-E-Jawaani Hai
Zamaana Sun Raha Hai Jisko, Wo Meri Kahaani Hai
But... fails to reach the heights of Mukesh solo. Anyway, the
last song I am going to talk about is a perfect ghazal and a
great composition from master:
Ye Meri Bebasi, Mera Haal-E-Jaar Dekh To Le
Khadaa Hun De~r Se Ummidvaar Dekh To Le
Talat is at his pick here.
Author: Snehal B. Oza