#71
Song: Kyun Yaad Aa Rahe Hain, Guzare Hue Zamaane
Woh Dukh Bhare Fasaane, Rote Hue Taraane ...
Film: Anmol Ghadi (1945)
Music: Naushad
Lyrics: Tanvir Naqvi
Singer: Surendra
*ing: Surendra, Noorjehan, Suraiya
In 1937, Bombay Talkies brought a young, handsome law graduate,
to counter New Theatre sensation called Kundan Lal Sehgal! That
young man was not really as much interested in singing as in
acting. Started with Deccan Queen (1937), he gave us some
memorable films as Manmohan (1940), Anmol Ghadi (1945), Anokhi
Ada (1948). We know today, he couldn't quite put up any challenge
to K L Sehgal. Nevertheless, he gave us some beautiful songs in
Vishwas, Naagan, San 1857, Jagirdaar, Gavaiya etc. You know, I am
talking about this real handsome hero of 1940s - Surendra Nath.
All these films gave him either some good role or good songs, not
both. But one film, created a history, much like Devdas (1939) of
Sehgal. That film was Bhartruhari in 1944. The song 'Bhiksha Dede
Maiya Pingala' became an unprecedented hit. All the people who
lived that age and whom I have met, have always talked about the
film. His personality was the best fit for the film, much as
Sehgal's to Devdas. Tomorrow is his death anniversary. I, through
this series ATMJH, am paying homage to this 'Maazi Ke Chiraag',
dedicating todays post to him.
Coming to the song - This song was arguably his best effort that
allows you to place him with legendary Sehgal. The credit must go
to Naushad Ali for showing the true strength of the singer. The
pathos are quite effectively expressed. Lyrics of Tanvir Naqvi
are too good. In fact, I don't know whether this song is liked
for his singing or it's lyrics. But the song took a back seat to
a duet, of Noorjehan and himself, that became an all time heat
('Awaaz De Kahan Hain'). In fact, the entire soundtrack is so
overwhelmingly overshadowed by this "Mallika-E-Tarannum' that
four beautiful solos, two each by Surendra and Suraiya , have
almost gone on a 'Bhule Bisre' list.
Author: Snehal B. Oza